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The tiles used in the Independent Subway System (IND) are very simple and austere, and usually are only of four colors: white, black, and the station-specific band and border colors of the tile. Instead of using the serif and sans-serif fonts of the IRT and BMT, the IND used a blocky geometric font, an altered version of the previous sans-serif ...
Most of the tile was the familiar white beveled type, but the white tile was complemented by arches of colored tile over the vault and garland-like swags on the walls. This complementary tiling was color-coordinated: brown for normal stations, green for terminal and transfer stations, and pale blue for the station Madeleine (the reason for this ...
His 1930 showroom design for a British dressmaking firm had a silver-grey background and black mirrored-glass wall panels. [37] [40] Black and white was also a very popular color scheme during the 1920s and 1930s. Black and white checkerboard tiles, floors and wallpapers were very trendy at the time. [41]
The earliest azulejos in the 13th century were panels of tile-mosaic known as alicatados (from Arabic: ﻗَﻄَﻊَ, romanized: qata'a, lit. 'to cut'), [6] [7]: 24 known as zellij in Islamic architecture. [8] Tiles were glazed in a single colour, cut into geometric shapes, and assembled to form geometric patterns.
Increased subway ridership led to longer trains, and thus longer platforms, in the years after the subway's construction. [ 52 ] [ 53 ] The City Hall station, built on a tight curve, would have been difficult to lengthen, and it was also quite close to the far busier Brooklyn Bridge–City Hall station. [ 54 ]
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