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Incipit for "La campanella" by Franz Liszt (Grandes études de Paganini S. 141 no. 3) The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be ...
La campanella became Étude No. 3. The set of 6 Études were revised as Grandes études de Paganini (S.141). La campanella had earlier been the basis of a separate work, the Grande Fantaisie de bravoure (S.420). [39] Violin Concerto No. 2 in B minor, Op. 7 (1826): III. La campanella [38] Grande Fantaisie de bravoure sur la Clochette: 1831–32
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
Franz Liszt (1811–1886): set of Transcendental Études, with its two previous versions being Étude en douze exercises and Douze Grandes Études; six études, also with an earlier set, on themes by Niccolò Paganini (among them the famous La Campanella); and six concert études (one set of three, another set of two and Ab Irato which also has ...
"Grande Fantaisie de Bravoure sur La Clochette de Paganini [Large Bravura Fantasy on Paganini's La Campanella], Op. 2 (1832)", pp. 1–30. Etudes d'Exécution Transcendante d'après Paganini [Etudes for Transcendental Technique after Paganini] (1838) (dedicated to Clara Schumann), pp. 31–90.
Mario Castelnuovo-Tedesco – Capriccio Diabolico for classical guitar is a homage to Paganini, and quotes "La campanella" Frédéric Chopin – Souvenir de Paganini for solo piano (1829; published posthumously) Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967)
First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [4] Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe. [5] 1815 c. 20: 3 String Quartets ...
Violin Concerto No. 2 in B minor, Op. 7, MS 48, La Campanella (1826) Violin Concerto No. 3 in E major, MS 50 (ca. 1826–30) Violin Concerto No. 4 in D minor, MS 60 (ca. 1829–30) Violin Concerto No. 5 in A minor, MS 78 (1830) Violin Concerto No. 6 in E minor, Op. posth., MS 75—probably the first to be written; only the solo part survives