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Office facing Long Street. The three-story house was designed in a Victorian style. It has grand and elaborate interiors: its first-story rooms have 10-foot ceilings and details including wood-paneled walls, French doors, plaster crown moldings, elaborate woodwork, stained-glass windows, and marble fireplace mantels.
A bedroom is located behind the dining room, with a door connecting the two rooms. A white chair rail divides the walls with a black base board. The floors are pine. The bedroom has another doorway leading into the main hall to the rear of the house. The room interpreted as Wythe's office is located behind the parlor.
Also on walls it was common to score into wet plaster to make it resemble blocks of stone. Finishes that were either marbleized or grained were frequently found on doors and woodwork. "Graining" was meant to imitate woods of higher quality that were more difficult to work. There were specific rules for interior color choice and placement.
By jettisoning the cabinet doors beneath the window seat, Brad created a clever spot to stash extra logs for a new woodstove. Get the Look: Wall Paint Color : High-Gloss White by Behr
Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
Norman Shaw Buildings, Victoria Embankment, Westminster.North Building, 1887 (right); South Building, 1902 (left) British Queen Anne Revival architecture, also known as Domestic Revival, [1] is a style of building using red brick, white woodwork, and an eclectic mixture of decorative features, that became popular in the 1870s, both for houses and for larger buildings such as offices, hotels ...
Midwestern home built in 1904. Modest exterior, interior features much woodwork. Folk Victorian is an architectural style employed for some homes in the United States and Europe between 1870 and 1910, though isolated examples continued to be built well into the 1930s. [1]
The makers of stained glass were declared exempt from taxes at the end of the 15th century by King Charles V of France. [25] Stained glass artists also began to have a wider variety of clients; not only kings but also wealthy aristocrats and merchants. Windows were made not only for cathedrals but also for town halls and palatial residences.
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