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Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
A scleroscope is a device used to measure rebound hardness. It consists of a steel ball dropped from a fixed height. The device was invented in 1907. As an improvement on this rough method, the Leeb Rebound Hardness Test, invented in the 1970s, uses the ratio of impact and rebound velocities (as measured by a magnetic inducer) to determine hardness
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
Walt Disney Studios' Snow White and the Seven Dwarfs was not the first animated film to be feature-length. El Apóstol, a lost 1917 Argentine silent film that used cutout animation, is considered the first. [92] [93] [94] The misconception comes from Snow White and the Seven Dwarves being the first feature-length film to be animated on cels. [95]
A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. [1]
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The most familiar type of affective shot is of the face. The close-up. Some films, such as Dreyer's The Passion of Joan of Arc (1928) are composed from a series of close-ups, and in this way create an affection-image film. The affection-image film is therefore a film which foregrounds emotions: desires, wants, needs.
An iris shot is a technique used in silent film and television sometimes to emphasize a detail of a scene above all others, more commonly to end or open a scene. [1] [2] The film camera's iris is slowly closed or opened, so that what is visible on film appears in a decreasing or increasing circle, surrounded by black.