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Pages in category "Turkish musical instruments" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes. A. Ahenk;
Traditional instruments in Turkish classical music today include tambur-generally use as tanbur - long-necked plucked lute, ney end-blown flute, kemençe bowed fiddle, oud plucked short-necked unfretted lute, kanun plucked zither, violin, and in Mevlevi music, küdüm drum and a harp.
The bağlama is a synthesis of historical musical instruments in Central Asia and pre-Turkish Anatolia. It is partly descended from the Turkic komuz. The kopuz, or komuz, differs from the bağlama in that it has a leather-covered body and two or three strings made of sheep gut, wolf gut, or horsehair. It is played with the fingers rather than a ...
Pages in category "Turkish folk music instruments" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. B.
Turkish folk music (Turkish: Türk Halk Müziği) is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era.
Turkish Shah Ney. The Turkish ney is an end-blown flute made of reed, an Ottoman variation on the ancient ney. Together with the Turkish tanbur lute and Turkish kemençe fiddle are considered the most typical instruments of Classical Turkish music. The ney also plays a primary role in the music of the Mevlevi Sufi rites (semâ).
The oldest description of tamburîs is reported by the French traveller Charles Fonton who describes the use of catgut frets. [6] A Turkish musical theory written in the beginning of the 18th century by the famous Kantemir Pasha-first an Ottoman citizen of Polish-Moldavian origin, then voivode of Moldavia- elucidates for the first time the ...
The Turkish makam (Turkish: makam pl. makamlar; from the Arabic word maqam مقام) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (cinsler meaning genera) and melodic development (seyir). [1]
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