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In recent years, La Mama artists such as The Rabble, Daniel Schlusser and Nicola Gunn have gone on to perform at the Melbourne International Festival and Melbourne Theatre Company's NEON Festival of Independent Theatre. La Mama veteran Jack Charles continues to work across the country, and in 2013 La Mama regular Ben Grant was touring ...
The La Mama Theatre near the University of Melbourne was created by director Betty Burstall in 1967 to recreate the vibrancy and immediacy of the small on-off Broadway ventures in New York. The production of Australian plays was almost non-existent at the time, and La Mama became the venue for the performance of new experimental Australian theatre.
La Mama (band), a German disco group La MaMa Experimental Theatre Club in East Village, Manhattan, New York City, founded 1961 La Mama Theatre (Melbourne) in Carlton, Victoria, Australia, founded 1967
Betty Margaret Burstall AM (born Betty Margaret Rogers 4 February 1926 – 14 June 2013) was an Australian theatre director who founded the La Mama Theatre in Melbourne in 1967. [1] Burstall and her theatre are credited with leading the growth of contemporary theatre in Melbourne during the 1960s and 1970s.
Part of the Theatres Building of the Arts Centre Melbourne [21] The Sumner, Southbank Theatre: 140 Southbank Boulevard: 2009: 550: theatre: Home of the Melbourne Theatre Company [22] Tower Theatre, Coopers Malthouse: 113 Sturt Street: 2005: 99: theatre: Converted from a brewery built in 1892 [10] Plenary Hall, Melbourne Convention and ...
A 150-seat theatre was constructed in 1970, as a new home for the Australian Performing Group, which moved from La Mama Theatre. It expanded to a second theatre, with 75 seats, in 1973. It expanded to a second theatre, with 75 seats, in 1973.
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Jones joined La Mama Theatre in 1973 as a performer and administrator and acted in a number of productions. She took over from Betty Burstall [4] as artistic director in late 1976 and remained in that role until 2023. [5] [6] In 1985 in an effort to redress gender balance, she found six women directors to workshop plays, half of them by women. [4]