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A cross-section of an ear of corn, showing the cob. A corncob, also called corn cob or cob of corn, is the hard core of an ear of maize, bearing the kernels, made up of the chaff, woody ring, and pith. Corncobs contain mainly cellulose, hemicellulose, and lignin. [1]
H-beam, a beam with H-shaped section; Goals in several sports (gridiron football (old style), Gaelic football, rugby, hurling) are described as "H-shaped" H topology in electronic filter design; Also see Balbis; I-shape, the shape that resembles the capital letter Ɪ in a serif font, i.e., with horizontal strokes Ɪ-beam, a beam with an ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The meaning of the Greek triskeles is not recorded directly. The Duc de Luynes , in his 1835 study, noted the co-occurrence of the symbol with the eagle, the cockerel, the head of Medusa , Perseus , three crescent moons, three ears of corn, and three grains of corn.
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The legend HISPANIA appeared for the first time in the Galba empire, complete with two types of representations: One with a bust of a young woman and the other with a full-length woman; both stamped with laurel and dressed in a stole and tunic, their attributes being the ears of corn —symbol of fertility— and two indigenous weapons, the ...
King Charles III went all out for his coronation ceremony, and the cross that led the procession yesterday morning is quite the historic symbol. In fact, some believe that this artifact contains ...
A map of the Southeastern Ceremonial Complex and some of its associated sites. Southeastern Ceremonial Complex (formerly Southern Cult, Southern Death Cult or Buzzard Cult [1] [2]), abbreviated S.E.C.C., is the name given by modern scholars to the regional stylistic similarity of artifacts, iconography, ceremonies, and mythology of the Mississippian culture.