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Patrick Wayne Swayze (/ ˈ s w eɪ z i / SWAY-zee; August 18, 1952 – September 14, 2009) was an American actor, singer, songwriter, and dancer. Known for his romantic, tough, and comedic roles in blockbusters and cult films , Swayze was nominated for three Golden Globes and received a star on the Hollywood Walk of Fame in 1997.
Demi Moore's famous 'boy cut' in the movie was designed by Manhattan hair stylist John Sahag. [24] The final scene used digital video effects. Originally it was meant to show Patrick Swayze kissing Demi Moore before walking up a mylar platform toward a bluescreen with grips in the shot.
Powder Blue is a 2009 American drama film with an ensemble cast featuring several interconnected story arcs. It was written and directed by Timothy Linh Bui, and features Patrick Swayze's last film role before his death in September that same year.
16. Youngblood (1986). Swayze stars alongside Rob Lowe and real-life hockey player Keanu Reeves in Youngblood, a relatively by-the-numbers but still fun and inspiring sports movie that later ...
Point Break is a 1991 American action film directed by Kathryn Bigelow and written by W. Peter Iliff. It stars Patrick Swayze, Keanu Reeves, Lori Petty and Gary Busey.The film's title refers to the surfing term "point break", where a wave breaks as it hits a point of land jutting out from the coastline.
Dirty Dancing is a 1987 American romantic drama dance film written by Eleanor Bergstein, produced by Linda Gottlieb, and directed by Emile Ardolino.Starring Patrick Swayze and Jennifer Grey, it tells the story of Frances "Baby" Houseman (Grey), a young woman who falls in love with dance instructor Johnny Castle (Swayze) at a vacation resort.
In the film, Swayze played a murdered banker whose spirit comes back to protect his girlfriend (Moore) after his death. One of the movie's most memorable moments is the pottery scene, where Moore ...
Kumar added, "That To Wong Foo ' s drag performances remain completely unbroken throughout the film's entirety heightens the movie's extreme emphasis on beauty and artifice" and that the film is very "conscious of its ironies [as] Swayze and Snipes were both box-office draws known for hypermasculine and romantic leading roles; the perceived ...
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