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J. R. R. Tolkien's Middle-earth fantasy writings have been said to embody outmoded attitudes to race. [1] [2] [3] However, scholars have noted that he was influenced by Victorian attitudes to race and to a literary tradition of monsters, and that he was anti-racist both in peacetime and during the two World Wars.
The Lord of the Rings: The Rings of Power, a series screened from 2022, has attracted "fierce debate" about its handling of race, [45] and racism aimed at the actors playing the Harfoots. [46] The fantasy author Neil Gaiman, defending the casting, commented that "Tolkien described the Harfoots as "browner of skin" than the other Hobbits. So I ...
Foster attributes the surge of Tolkien fandom in the United States of the mid-1960s to a combination of the hippie subculture and anti-war movement pursuing "mellow freedom like that of the Shire" and "America's cultural Anglophilia" of the time, fuelled by a bootleg paperback version of The Lord of the Rings published by Ace Books followed up by an authorised edition by Ballantine Books. [8]
Aragorn (Sindarin: [ˈaraɡɔrn]) is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings.Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor.
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In The Lord of the Rings, Middle-earth at the end of the Third Age is described as having free peoples, namely Men, Hobbits, Elves, and Dwarves in the West, opposed to peoples under the control of the Dark Lord Sauron in the East. Some commentators have seen this as implying a moral geography of Middle-earth.