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Makassarese is also considered important as a marker of ethnic identity. However, in urban communities, code-switching or code-mixing between Makassar and Indonesian is common. Some urban Makassar residents, especially those from the middle class or with multiethnic backgrounds, also use Indonesian as the primary language in their households. [16]
A characteristic feature of the Makassar languages is the occurrence of echo vowels with stems ending in final /r/, /l/ or /s/.E.g. /botol/ 'bottle' is realized as bótolo in Selayar and Coastal Konjo, and as bótoloʔ in Makassarese and Highland Konjo (the latter regularly adds a glottal stop to the echo vowel).
The Makasar script, also known as Ukiri' Jangang-jangang (bird's script) or Old Makasar script, is a historical Indonesian writing system that was used in South Sulawesi to write the Makassarese language between the 17th and 19th centuries until it was supplanted by the Lontara Bugis script.
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
Following the Bugis-Makassar migratory tradition known as sompe (to sail) and malleke' dapureng; it was here, from among these historical ships, vessels and boats that many Bugis and Makassar man, woman and children braved away from their traditional heartland in search of economic pursuits, prosperity and opportunities, while others embarked ...
Makassar city sign. Paruntuk Kana (Lontara script: ᨄᨑᨘᨈᨘᨀᨊ, parable) is a type of Makassarese poetry. It is similar to a proverb or aphorism and conveys advice, satire, or praise. [1] [2] Nowadays, Paruntuk Kana is virtually forgotten by Makassarese people as a part of their culture. In the past, it was used to show the respectful ...
[4] A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).