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Melba, c. 1907. Dame Nellie Melba GBE (born Helen Porter Mitchell; 19 May 1861 – 23 February 1931) was an Australian operatic lyric coloratura soprano.She became one of the most famous singers of the late Victorian era and the early 20th century, and was the first Australian to achieve international recognition as a classical musician.
Soul Dressing is the second album by the Southern soul band Booker T. & the M.G.'s, released in 1965. [2] It was their final album with bassist Lewie Steinberg, who was replaced by Donald "Duck" Dunn. [5] [6] The title track peaked at No. 95 on the Billboard Hot 100. [7]
The reviewer, Bosley Crowther, offered that, while the task of portraying the life of Nellie Melba was laudable as a concept, the "storybook tale of an opera singer that Harry Kurnitz has put together is a mere offense to the taste and credulity of an average numskull, and it is assembled and played with little more sense." They disapproved of ...
The song was written by Rodgers and Hammerstein in response to Martin's request. She had starred on Broadway for years and Martin suggested that she wash her hair on stage during the performance. [1] [2] PJ Harvey referenced the song in her 1992 single "Sheela-Na-Gig" with the repeated lyric "gonna wash that man right outa my hair". [3]
Bluegrass Hootenanny was the second duet album by Jones and Montgomery, the first being the bluegrass-tinged What's in Our Heart.As the title implies, this second Jones/Montgomery collection brings this sound into focus, a departure of sorts for Jones, who was known primarily for his hardcore honky tonk sound and soulful ballad singing.
Laura and Lydia Rogers are sisters from Muscle Shoals, Alabama. [2] With a love for music coming from both sides of their family (their grandfather and his brothers forged a group called the Happy Valley Boys), they grew up with a zeal for country music and sang songs with their family by country music artists such as Don Williams.
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The album received some critical acclaim, but it failed commercially. Trouser Press described the problem as over-promotion: "It isn't that Lone Justice's first album is bad (it's not), but the ballyhoo that preceded the LA quartet's debut raised expectations that these frisky countryfied rock tunes (Linda Ronstadt on speed, perhaps, or Dolly Parton backed by the Blasters) couldn't possibly ...