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"An Arundel Tomb" is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined in Chichester Cathedral .
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
The poem opens with a man standing over his fiancée's grave in the rain after her funeral. Everyone else has gone, but this man will not leave. Flowers were tossed into the grave by loved ones, and the man picks one of these up and muses that there is something terrible about a flower, and about a child, who smiled during the funeral.
The verse is based on the verses Matthew 11:17 and Luke 7:32 in the New Testament of the Christian Bible.. The exact words of this English nursery rhyme were incorporated as the translation of these verses in the International Standard Version (2008).
Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
"The Life That I Have" was an original poem composed on Christmas Eve 1943 and was originally written by Marks in memory of his girlfriend Ruth, who had just died in a plane crash in Canada. [1] On 24 March 1944, the poem was issued by Marks to Violette Szabo , a British agent of Special Operations Executive who was eventually captured ...
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The Whitsun Weddings is a collection of 32 poems by Philip Larkin. It was first published by Faber in the United Kingdom on 28 February 1964. It was a commercial success, by the standards of poetry publication, with the first 4,000 copies being sold within two months. A United States edition appeared some seven months later.
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