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It featured "Don't Touch Me There," a suggestive duet between Waybill and Styles, which was arranged in classic "Wall of Sound" style by Jack Nitzsche. The song was co-written by Ron Nagle and Tubes dancer/vocalist Jane Dornacker. The band toured America with a new stage show including new numbers "Slipped My Disco," "Madam, I'm Adam" and "Pimp."
She co-wrote the song "Don't Touch Me There" for the group with the ceramicist and musician Ron Nagle. The song was sung by Re Styles and appeared on The Tubes' second studio album, Young and Rich (1976), and was released as a 7" single. "Cathy's Clone", written entirely by Dornacker, appears on the third Tubes album, Now.
Young and Rich is the second studio album by The Tubes, released in 1976. [3] It reached #46 on the Billboard 200. [4] The album is no longer available on CD, although all of its songs can be found on "White Punks on Dope".
"Don't Touch Me There" is a song written by Michael P. Heeney, and originally recorded by American country music artist Reba McEntire for her 1986 album Whoever's in New England. In March 1987, a version by American country music artist Charly McClain was released as the first single from her album Still I Stay .
Wild In London is the third live album by The Tubes which was released in 2005. It was recorded on December 6, 2004 at Londons' Shepherd's Bush Empire and features some newer Fee Waybill characters such as "Russell Chaps". The CD featured a guest appearance by Beki Bondage, who dueted with Fee Waybill on "Don't Touch Me There"
Songs which received significant airplay from this album include "What Do You Want from Life?" and " White Punks on Dope ", the latter of which peaked at number 28 on the UK singles chart . [ 3 ] The album was dedicated to Bob McIntosh and Tom Donahue, the former of whom had originally played with the band until his death in 1973.
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After four studio albums and a live album for A&M Records, the band were working on the Suffer for Sound album when they were dropped by the label. [1] They subsequently signed a deal with Capitol Records in 1981, but to fulfil their contract, A&M released this collection of recordings in November that year, including tracks from their early singles and unreleased material.