Search results
Results from the WOW.Com Content Network
A fast, lively, or increased tempo, or played or done in such a tempo; [17] it is also an umbrella term for a quick-paced electronic music style ut (Fr.) First note of the series ut, re, mi, fa, sol, la, si, in fixed-do solmization
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
Behaviorism examines relationships between the environment and the individual with roots in early 20th century work in the German experimental school. [11] Theories by researchers such as Ivan Pavlov (who introduced classical conditioning), and B.F. Skinner (operant conditioning) looked at how environmental stimulation could impact learning, theorists building on these concepts to make ...
It can help your brain interpret information and gain a better understanding of new things more easily. Music can engage the brain in many different ways, whether that be making one more attentive, focused, increased concentration etc. [44] According to a 2017 study, soft, fast music was concluded to have a positive effect on productiveness.
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level [1] (or beat level). [2] The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be ...
In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo.However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash ...
Patter section of Rossini's "Largo al factotum". A form of rapid patter occurred in the parabasis in ancient Greek comedies. [5] The 16th-century French composer F. de Lys published a song "Secouhez moy" set in what the Grove Dictionary of Music and Musicians calls "a syllabic, patter-song manner". [6]