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Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
An admirer of Edgeworth, Jane Austen, further influenced the Romance genre and Victorian era with her novel Pride and Prejudice (1813), which was called "the best romance novel ever written." [ 33 ] In the early part of the Victorian era , the Brontë sisters , like Edgeworth and Austen, wrote literary fiction that influenced later popular fiction.
The stories and poems which novelist Jane Austen wrote before the age of eighteen are called her Juvenilia. [ citation needed ] Exceptions to retrospective publication include Leigh Hunt's collection Juvenilia , first published when he was still in his teens; and Lord Byron 's publication of Fugitive Pieces when the author was only 17 years old ...
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
"Mr. Malcolm's List" is not, technically, by Jane Austen, but it is Austenesque through and through.
Another issue concerning adaptations of Austen is that of gender, especially the portrayal of women. Some critics, such as Devoney Looser, have argued that by portraying strong women who are intelligent and socially adept and by emphasising the theme of sisterhood both literally between sisters and metaphorically between female friends, the Austen films become feminist films. [10]