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[2] Numerous works were completed by Greek and Italian artists. A popular version was completed by Raphael’s assistants after his death called The Vision of the Cross. A notable statue of The Vision of Constantine was completed by Bernini eight years before Mosko's work. Moskos was influenced by Antonio Tempesta's engravings Orlando Furioso ...
It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown artist. [2] The Moskos version is located at the Benaki Museum in Athens, Greece. [3] [4] [5]
[1] [2] The Dormition and Assumption of the Virgin was a popular theme painted by both Greek and Italian artists since the dawn of the new religion. The chronology of the New Testament states that Mary lived for 11 years after the death of Jesus, dying in AD 41 according to Hippolytus of Thebes .
His icon was the framework for later painters of the maniera greca. Moskos painted his own version and significantly refined it. Emmanuel Tzanes painted his own version around the same period. The Moskos version is located at the Icon Museum in Recklinghausen, Germany. It was formerly part of the Minken Collection in London. [2] [3]
Ladder of Divine Ascent is a tempera painting on gold leaf and wood panel. The height is 13 in (33 cm) and the width is 10.6 in (26.9 cm). The work was completed in 1663 after the painter migrated from Corfu to Venice and became the priest of San Giorgio dei Greci.
Constantine and Helen is a painting by Ioannis Moskos. He was a prolific Greek painter associated with Venice and the Ionian Islands. He flourished during the Late Cretan School and early Heptanese School. Three painters with the same last name were active during the same period, the other two were Leos Moskos and Elias Moskos.
The height is 91 cm (35.8 in) and the width is 70 cm (27.5 in). The work was completed in 1711. The first record of the icon was in 1742. The painting was mentioned in later catalogs namely 1904 and 1949. It was characterized as the work of Ioannis Moskos, the 1949 catalog also authenticated his
Leo or Leos Moskos (Greek: Λέος Μόσκος, 1620/30 – 1690) was a painter and educator. There were two other painters named Moskos active around the same period, Elias Moskos and Ioannis Moskos , who may have been his relatives.