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The 14-line poem is written in iambic pentameter and consists of three quatrains and a couplet. Keats wrote the poem between 22 and 31 January 1818 . [ 1 ] It was published (posthumously) in 1848 in Life, Letters, and Literary Remains, of John Keats by Richard Monckton Milnes .
Lines 8–9 have influences from Ovid's Amores and Shakespeare's own "Love Labor's Lost". George Steevens points out that Shakespeare's early comedy included a line stating "From women's eyes this doctrine I derive." [12] In the context of Sonnet 14 it is explaining the importance of procreation, and that it is necessary. [11]
In that case the term "octave" and "sestet" are commonly used to refer to the sonnet's first eight lines followed by the remaining six lines. There are other line-groupings as well, as Shakespeare finds inventive ways with the content of the fourteen-line poems. [28]
In the poem, the speaker refers to some exotic bird that has been with him his whole life. He also says, "I could not love except where Death / Was mingling his with Beauty's breath", a line often termed autobiographical as many of the women in Poe's love life were ill (an early love Jane Stanard died of tuberculosis, as did his wife Virginia ...
He also introduced variations in the proportions of the sonnet, from the 10 1 ⁄ 2 lines of the curtal sonnet "Pied Beauty" to the amplified 24-line caudate sonnet "That Nature is a Heraclitean Fire". Though they were written in the later Victorian era, the poems remained virtually unknown until they were published in 1918. [82]
Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
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Although referred to as a sonnet, the work does not follow the most common rhyming scheme of such works—a 14-line poem, consisting of an eight-line stanza followed by a six-line conclusion—but is instead 21 lines long, divided into three stanzas. "The Good-Morrow" is written from the point of view of an awaking lover and describes the lover ...
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