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J-pop (ジェーポップ, jēpoppu) (often stylized in all caps; an abbreviated form of "Japanese popular music"), natively also known simply as pops (ポップス, poppusu), is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s.
Mariah Carey amassed the most number-one hits (14 songs) and had the longest cumulative run atop the Billboard Hot 100 chart (60 weeks) during the 1990s. Carey is also the only artist to spend at least one week at the summit of the chart in each year of the decade.
Lagu-Lagu Patriotik Malaysia – Keranamu Malaysia: 2: 49 — [105] " Panas Berteduh Gelap Bersuluh " ("Seeking Shelter When It Is Hot, Looking for Light When It Is Dark") Siti Nurhaliza ‡ Khir Rahman: Sanggar Mustika: 5: 51: 2002 [39] " Panggilan " ("The Calling") Siti Nurhaliza featuring Siti Saida and Siti Saerah: Fedtri Yahya: Audi Mok ...
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In the 80's, Indonesian media widely coined the term Pop kreatif. [4] Journalists Seno M. Hardjo and Bens Leo is cited to have popularized this term to differentiate the music presented by musicians with the likes of Guruh Soekarnoputra, Eros Djarot, Chrisye, Fariz RM, and Dian Pramana Poetra from the Melancholic pop music artists and genre. [2]
Yume Ippai (ゆめいっぱい, "Full of Dreams") is a song covered by Yumiko Seki [] as her debut single on April 21, 1990... [1] The lyrics were written by Tomoko Aran and the melody was composed by Tetsuro Oda.
Issue date Song Artist January 21 "Stay Gold" Hikaru Utada: January 28 "Be Free" Greeeen: February 4 "Deai no Kakera" Ketsumeishi: February 11 "Soba ni Iru ne" Thelma Aoyama featuring SoulJa
Bangsawan theatre in Penang c. 1895. Malaysian popular music has its origin in local musical traditions and popular European music styles. Some early musical styles, performers, and songs of Kroncong and lagu-lagu rakyat (folk songs) were common to the musical cultures of Malaysia and Indonesia. [1]