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Dan August ("Dan August Theme") – Dave Grusin; Danger Man – Series 1 "The Danger Man Theme" Edwin Astley, series 2–4 "High Wire" Edwin Astley, series 2–4 in the U.S. as Secret Agent, "Secret Agent Man" theme composed by P. F. Sloan and Steve Barri, and recorded by Johnny Rivers.
In the article, Gene "Mr. Yellowstone Music" Quaw, indicated that there was no Christmas in August celebration while he worked in Yellowstone during the 1920s and 1930s. According to Quaw, there was a small Christmas in July celebration and that the employees would have an employee-only celebration called "Savage Days" wherein a park employee ...
Now That's What I Call Christmas! is a two-disc holiday music compilation that was released on October 23, 2001, by Universal Music Group. The album is part of the (U.S.) Now! series, and the first holiday-themed album in the series.
Songs about Christmas, about the celebration of Christmas, ... Christmas music; List of Christmas hit singles in the United Kingdom; 0–9. 12 Nights (song) 100 ...
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
In the 1950s, the Christmas in July celebration became a Christmas in August celebration at Yellowstone National Park. There are multiple theories concerning the origin of this celebration. Park employees, who were nicknamed "Savages" until the mid-1970s, were known to throw large employee parties in July complete with floats, skits, and dances.
Radio has covered Christmas music from variety shows from the 1940s and 1950s, as well as modern-day stations that exclusively play Christmas music from late November through December 25. [159] Hollywood movies have featured new Christmas music, such as " White Christmas " in Holiday Inn and Rudolph the Red-Nosed Reindeer . [ 159 ]
Jonathan Broxton wrote: "The main theme – once you find it – is good, the orchestrations and arrangements are rich and varied, the action music is at times wonderfully boisterous if a little scattershot, the emotional content often allows the score to reach some lovely heights, and it features many of Elfman’s most beloved compositional ...