Search results
Results from the WOW.Com Content Network
Seneca's main sources were Stoic.J. Fillion-Lahille has argued that the first book of the De Ira was inspired by the Stoic philosopher Chrysippus' (3rd-century BC) treatise On Passions (Peri Pathôn), whereas the second and third drew mainly from a later Stoic philosopher, Posidonius (1st-century BC), who had also written a treatise On Passions and differed from Chrysippus in giving a bigger ...
While Seneca's plays evoke Aeschylus' Oresteia in narrative and characters, they also serve the important purpose of shedding light on unclear scenes in the original Agamemnon. Additionally, Seneca once again philosophizes the original story further, while adding more violently-detailed recounts of the murders that took place off-stage. [12]
The dialogue has the full title ad Gallionem de Vita Beata ("To Gallio on the happy life"). It was probably written in early 58 or a little earlier. [1] From incidental remarks made in the work, it is thought Seneca wrote it when he was in a position of power near the beginning of Nero's reign between 54 and 59. [2]
Seneca regards philosophy as a balm for the wounds of life. [52] The destructive passions, especially anger and grief, must be uprooted, [53] or moderated according to reason. [54] He discusses the relative merits of the contemplative life and the active life, [52] and he considers it important to confront one's own mortality and be able to ...
Ancient Greek philosophers, describing and commenting on the uncontrolled anger, particularly toward slaves, in their society generally showed a hostile attitude towards anger. Galen and Seneca regarded anger as a kind of madness. They all rejected the spontaneous, uncontrolled fits of anger and agreed on both the possibility and value of ...
Epistulae Morales ad Lucilium (Latin for "Moral Letters to Lucilius"), also known as the Moral Epistles and Letters from a Stoic, is a letter collection of 124 letters that Seneca the Younger wrote at the end of his life, during his retirement, after he had worked for the Emperor Nero for more than ten years.
Jason is made a more appealing figure by Seneca - thus strengthening the justification for, and power of, Medea’s passion. [9] Nevertheless, the increased degree of stage violence in the Seneca version, [ 10 ] and its extra gruesomeness, has led it to be seen as a coarser and more sensational version of Euripides’ play.
Juno vents her anger at Jupiter's love affairs, concubines, and bastard offspring. She is very angry about the successes of Hercules, and decides to send him into a state of mad frenzy upon his return from the underworld.