Search results
Results from the WOW.Com Content Network
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...
Christ Triumphant over Sin and Death, also known as Christ Triumphant over Death and Sin, or sometimes as Salvator Mundi, is a circa 1618 oil painting by the Flemish Baroque artist Peter Paul Rubens. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 235. [2]
Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy .
A cruciform halo, that is to say a halo with a cross within, or extending beyond, the circle is used to represent the persons of the Holy Trinity, especially Jesus, and especially in medieval art. In Byzantine and Orthodox images, inside each of the bars of the cross in Christ's halo is one of the Greek letters Ο Ω Ν, making up ὁ ὢν ...
Sopocko was a professor of theology at the University of Vilnius and introduced Kowalska to Kazimirowski, who was a professor of art there and had painted other religious images. Kowalska gave Kazimirowski specific instructions about the appearance and the posture of the image, which she said she had received from Jesus Christ in a vision.
The Resurrection of Christ is a triptych painting in oil on panel by Peter Paul Rubens, of 1611–1612, that is still in the Cathedral of Our Lady in Antwerp, Belgium. The panels were hinged, with the two wings painted on both sides, by this date a rather old-fashioned format.
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.