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"Still Got the Blues (For You)" is a song by Northern Irish guitarist Gary Moore. It was originally released as the title track of the album Still Got the Blues. [2] The song was released as a single and reached number 31 on the UK Singles Chart in May 1990. [3]
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. [3] It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz fusion work with Colosseum II.
The playing of conventional chords is simplified by open tunings, which are especially popular in folk, blues guitar and non-Spanish classical guitar (such as English and Russian guitar). For example, the typical twelve-bar blues uses only three chords , each of which can be played (in every open tuning) by fretting six strings with one finger.
The Best of the Blues is a 2002 two-CD compilation album by Gary Moore.The first disc contains songs from his 1990s blues albums After Hours, Blues Alive, Blues for Greeny and, most prominently, Still Got the Blues.
Blues Alive is a live album by Northern Irish guitarist Gary Moore, released in May 1993. [3] It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got the Blues and After Hours albums.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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