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The jūnihitoe was composed of a number of kimono-like robes, layered on top of each other, with the outer robes cut both larger and thinner to reveal the layered garments underneath. These robes were referred to as hitoe , with the innermost robe – worn as underwear against the skin – known as the kosode .
The different forms of kimono represented in the Khalili Collection include the furisode ("swinging sleeve"; a formal kimono for young women), the kosode ("short sleeve"; the term used for all forms of short-sleeved garments before the usage of the word "kimono") [13] and the uchikake (a formal outer kimono worn unbelted, typically by brides to ...
A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
An unmarried Japanese woman wearing a furisode A Japanese woman wearing a furisode at the Japanese garden. A furisode (振袖, lit. ' swinging sleeves ') is a style of kimono distinguishable by its long sleeves, which range in length from 85 cm (33 in) for a kofurisode (小振袖, lit.
Roronoa Zoro (ロロノア・ゾロ, Roronoa Zoro, spelled as "Roronoa Zolo" in some English adaptations), also known as "Pirate Hunter" Zoro (海賊狩りのゾロ, Kaizoku-Gari no Zoro), is a fictional character created by Japanese manga artist Eiichiro Oda who appears in the manga series and media franchise One Piece.
If the fabric is a single solid colour, or the pattern was komon (a small all-over reversible pattern), the bolt can be cut anywhere. Otherwise, the patterns would be spaced so that it was in the right place relative to where the cloth would be cut (for instance, so that a kimono's hem patterns were located at the hem on all body panels).
A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
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