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Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.
Figure–ground (perception) Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology it is known as identifying a figure from the back ground. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background ...
The François Vase, (or François Krater), is a large Attic volute krater decorated in the black-figure style. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases. It was used for wine. A milestone in the development of ancient Greek pottery due to the drawing style used as well as the combination of related ...
Rubin's vase utilizes the concept of Negative space to create ambiguous images: the vase or two opposing faces. Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms.
Vase. A vase (/ veɪs / or / vɑːz /) is an open container. It can be made from a number of materials, such as ceramics, glass, non- rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective ...
Rubin's vase is an optical illusion in which the negative space around the vase forms the silhouettes of two faces in profile, a well-known example of figure-ground reversal by emphasizing that negative space. FedEx's logo displays an arrow between letters E and x. Not being in full silhouette, the effect is subtle and may not be noticed.
Typology of Greek vase shapes. A Nolan amphora, a type with a longer and narrower neck than usual, from Nola. Attic komast cup, a variety of kylix, Louvre. Diagram of the parts of a typical Athenian vase, in this case a volute krater. The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous ...
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
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