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The Seven Works of Mercy (Italian: Sette opere di Misericordia), also known as The Seven Acts of Mercy, is an oil painting by Italian painter Caravaggio, circa 1607.The painting depicts the seven corporal works of mercy in traditional Catholic belief, which are a set of compassionate acts concerning the material needs of others.
The painting of the Seven Works of Mercy by Frans II Francken (1605) represents the acts not as a picture cycle, but in one single composition. A major work of the iconography of mercy is the altarpiece of Caravaggio (1606/07) in Naples , which was commissioned by the Confraternità del Pio Monte della Misericordia for their church.
Seven Works of Mercy: Naples, Pio Monte della Misericordia: 390 × 260 cm Oil on canvas: 1607: Crucifixion of Saint Andrew: Cleveland, Cleveland Museum of Art: 202.5 × 152.7 cm Oil on canvas: 1607: David with the Head of Goliath: Vienna, Kunsthistorisches Museum: 90.5 × 116 cm Oil on wood: 1607: Madonna of the Rosary (Madonna del Rosario)
Caravaggio combined all seven works of mercy in one composition, which became the church's altarpiece. [49] Alessandro Giardino has also established the connection between the iconography of "The Seven Works of Mercy" and the cultural, scientific and philosophical circles of the painting's commissioners. [50]
The works evoke three major stages in the life of the apostle Saint Matthew: his calling by Jesus Christ (The Calling of St Matthew), his writing of the Gospel guided by an angel (The Inspiration of Saint Matthew), and his martyrdom (The Martyrdom of Saint Matthew). They are still preserved in the Church of St. Louis of the French.
The Seven Deadly Sins and the Four Last Things; The Seven Works of Mercy (Master of Alkmaar) The Shadow of Death; The Storm on the Sea of Galilee; Suardi Chapel; Suffer little children to come unto me; Supper in the House of Simon the Pharisee (Moretto)
According to art biographer Gian Pietro Bellori (1672), this work was commissioned by the di Franco (or de Franchis) family for a chapel in the church of San Domenico Maggiore in Naples. The family were connected with the Confraternity of the Pio Monte della Misericordia, for whose church Caravaggio had already painted The Seven Works of Mercy ...
In the latter case, Caravaggio transports Michelangelo's self-portrait to his own painting. [14] Although Caravaggio's Entombment of Christ is related to Michelangelo's Pieta, it is not a Pieta because even if there is the presence of the Virgin Mary in the painting there are not the right number nor types of people present. [15]
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