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Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Typical Hasami ware uses underglaze cobalt blue and celadon, but at first they produced stonewares. Later the materials for porcelain were found, so gradually Hasami ware shifted from pottery to porcelain. In the late Edo period, Hasami was the number one producer of blue-and-white porcelain in Japan, and bottles and other products were exported.
Most are thick porcelain table ware with blue cobalt paintings. Tokoname ware: 常滑焼: Tokoname, Aichi: Most are flower vases, rice bowls, or teacups. Tsuboya ware: 壺屋焼: Tsuboya, Naha: A form of Ryukyuan pottery. Most are thick porcelain table ware with blue cobalt paintings. Zeze ware: 膳所焼: Ōtsu, former Zeze domain
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
In addition to the colored painting known as "Iro-Nabeshima," occasionally "blue-and-white" designs using cobalt blue, celadon or a rusty glaze are known to exist. The most common "Iro-Nabeshima" is a technique in which a design is painted over a vessel with a blue-and-white design, and then the vessel is fired again with a low-temperature ...
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