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Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature .
Tolkien made use of Beowulf, along with other Old English sources, for many aspects of the Riders of Rohan. Their land was the Mark, its name a version of the Mercia where he lived, in Mercian dialect *Marc. Their names are straightforwardly Old English: Éomer and Háma (characters in Beowulf), Éowyn ("Horse-joy"), Théoden ("King").
The next day, Beowulf was lauded and a skald sang and compared Beowulf with the hero Sigmund. However, during the following night Grendel's mother arrived to avenge her son's death and collect weregild. As Beowulf slept in a different building he could not stop her. He resolved to descend into the bog in order to kill her.
Killing one's kin was the greatest sin in Anglo-Saxon culture. Dæghrefn – a Frankish warrior killed by Beowulf. The Dragon – beast (Old English: wyrm) that ravages Beowulf's kingdom and which Beowulf must slay at the end of the poem. It is the cause of Beowulf's death. Eadgils – a Swedish king also mentioned extensively in the Norse sagas.
Map of the Beowulf region, showing the protagonist's voyage to Heorot. The anonymous author of Beowulf praises Heorot as large enough to allow Hrothgar to present Beowulf with a gift of eight horses, each with gold-plate headgear. [5] It functions both as a seat of government and as a residence for the king's thanes (warriors).
Symbel and sumbl are Germanic terms for "feast, banquet".. Accounts of the symbel are preserved in the Anglo-Saxon Beowulf (lines 489–675 and 1491–1500), Dream of the Rood (line 141) and Judith (line 15), Old Saxon Heliand (line 3339), and the Old Norse Lokasenna (stanza 8) as well as other Eddic and Saga texts, such as in the Heimskringla account of the funeral ale held by King Sweyn, or ...
The story of the aquatic adventure with Breca is introduced into the Beowulf saga for a number of reasons. First, we are introduced to Unferth, evidently a significant member of Hrothgar's court, but we are immediately encouraged to dislike him, because we are told he is motivated by envy and wishes to embarrass Hrothgar's honored guest.
1984: Beowulf: adapted for live performance by the founding members of Theatre in the Ground. [33] 1990s Beowulf one-man shows in modern English by Julian Glover [34] 1993. Beowulf, op. 17, chamber opera (or dramatic cantata) in one act for a chorus of young voices, light soprano, light tenor and baritone soli, by Richard Lambert. [35]