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The 4th Academy Awards were awarded to films completed and screened released between August 1, 1930, and July 31, 1931, by the Academy of Motion Picture Arts and Sciences. Most Nominations: Cimarron ( RKO Pictures ) – 7
The Alfred Hitchcock-directed film The Skin Game was released in the United Kingdom. Born: Robert Novak , U.S. journalist, political commentator and syndicated columnist; in Joliet, Illinois (d. 2009)
German-language. Lost film El Impostor: Lewis Seiler: Juan Torena, Blanca Castejon: Drama: Spanish language [6] Eran Trece: David Howard: Juan Torena, Ana Maria Custodio: Comedy. Mystery: Spanish language [7] La ley del harem: Lewis Seiler: José Mojica, Carmen Larrabeiti: Drama: Spanish language [8] Mi ultimo amor: Lewis Seiler: José Mojica ...
Title Russian title Director Cast Genre Notes 1931: Alone: Одна: Grigori Kozintsev and Leonid Trauberg: Yelena Kuzmina, Pyotr Sobolevsky, Sergei Gerasimov: Drama: And Quiet Flows the Don
March 1, 1930: Isle of Escape: Lost Film March 2, 1930: Strictly Modern: First National Production Lost Film March 8, 1930: The Green Goddess: March 9, 1930: Son of the Gods: First National Production Part Technicolor Extant Only In Black and White March 15, 1930: Song of the West: All Technicolor [2] Lost Film [2] On the Border: March 16, 1930 ...
City of Song, also known as Farewell to Love, is a 1931 British/German romance film directed by Carmine Gallone and starring Jan Kiepura, Betty Stockfeld and Hugh Wakefield. [1] It was shot at Wembley Studios. [2] The film's sets were designed by the art directors Oscar Friedrich Werndorff and J. Elder Wills.
In the end the financing was provided by A-B production company and the film was shot at sound stages at A-B studios in Vinohrady. Jazz inspired soundtrack was composed by Jaroslav Ježek with Nezval writing the song lyrics. [3] In 1932 a French dubbed version of the film was released under the name D’une nuit a l’autre.
Melati van Agam was released in two parts, [1] with the first premiering on 16 December 1931. Kwee Tek Hoay, writing for Panorama magazine, ridiculed the film's "illogical" plot and wrote that "even the stupidest villager could spot the flaws"; [ a ] he considered Norma's actions more befitting a prostitute than an average woman. [ 6 ]