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In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.
In the diatonic scale, a step is either a minor second (sometimes also called half step) or a major second (sometimes also called whole step), with all intervals of a minor third or larger being skips. For example, C to D (major second) is a step, whereas C to E (major third) is a skip.
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands for half-step (e.g. from C to D ♭).
The minor second occurs in the major scale, between the third and fourth degree, (mi (E) and fa (F) in C major), and between the seventh and eighth degree (ti (B) and do (C) in C major). It is also called the diatonic semitone because it occurs between steps in the diatonic scale. The minor second is abbreviated m2 (or −2).
In the diatonic scale, [b] a step is either a minor second (sometimes also called half step) or major second (sometimes also called whole step), with all intervals of a minor third or larger being skips. For example, C to D (major second) is a step, whereas C to E (major third) is a skip.
It is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there on up to the next higher B. Its ascending form consists of the key note, then: Half step, whole step, whole step, half step, whole step, whole step, whole step.
Lower mediant, midway between tonic and subdominant, (in major key) tonic of relative minor key A A♭ 8-9 7 Subtonic (minor seventh) Mixolydian One whole step below tonic in natural minor scale. B♭ 10 Leading tone (major seventh) Locrian: One half step below tonic. Melodically strong affinity for and leads to tonic B 11
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