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In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. [6] [7]
In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 7 392 F major c. 1706–1707 In Chrysander's "G. F. Handel's Werke" (1879) this composition referred to as Op. 2 No 3. One of the "Dresden" sonatas. No autograph 393 G minor probably c. 1719 Authenticity uncertain.
George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.
He was certainly devoted to Handel's music, having helped to finance the publication of every Handel score since Rodelinda in 1725. [24] By 1741, after their collaboration on Saul, a warm friendship had developed between the two, and Handel was a frequent visitor to the Jennens family estate at Gopsall. [21]
Die G. F. Händel zugeschriebenen Kompositionen, 1700–1800 : (HWV Anh. B) = The compositions attributed to G. F. Handel, 1700–1800. Hildesheim: Georg Olms. ISBN 978-3-487-15483-1. HWV Appendix to HWV; contains doubtful and spurious works HG The Händel-Gesellschaft has been superseded by the Händel-Werke-Verzeichnis (HWV) HHA
George Frideric Handel. Rodelinda, regina de' Longobardi (HWV 19) is an opera seria in three acts composed for the first Royal Academy of Music by George Frideric Handel. [1] The libretto is by Nicola Francesco Haym, based on an earlier libretto by Antonio Salvi. Rodelinda has long been regarded as one of Handel's greatest works. [2]
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George Frideric Handel. Partenope ("Parthenope", HWV 27) is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and light-textured in music, with a plot involving romantic complications and gender confusion.