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"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, [2] [3] it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the progression that leads to the end of the album.
American guitarist George Benson covered the song in a medley with "Golden Slumbers" in his 1970 album The Other Side of Abbey Road. [18] Comedy rock duo Tenacious D covered "You Never Give Me Your Money" in medley with "The End" as a single released on 2 July 2021. The proceeds benefit Doctors Without Borders. [19]
Immediately after Lennon's third and final solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". This section was taped separately from the first and required the piano to be re-recorded by McCartney, which was done on 18 August ...
After take 39, they added lead vocals, and re-recorded the drums and bass parts. On 28 July they added more vocals, guitar, percussion and piano. The song was completed two days later with additional guitar and percussion. [3] "She Came In Through the Bathroom Window" segues abruptly after "Polythene Pam", the song on the preceding track ...
The Beatles began recording "Golden Slumbers"/"Carry That Weight" as one piece on 2 July 1969. [5] McCartney, Harrison, and Ringo Starr recorded 15 takes of the two songs [5] while Lennon was in a hospital recovering from a car accident in Scotland. [6] The rhythm tracks featured McCartney on piano, Harrison on bass guitar, and Starr on drums.
In his description of the song, author Ian MacDonald likens Lennon's "massive" opening acoustic guitar chords to the Who's "Pinball Wizard", which was a single at the time. [ 10 ] The band carried out overdubs on the track on 28 July, although many of these contributions, such as piano and electric piano, were subsequently cut. [ 11 ]
The loud chord that occurs at the beginning of the song is the ending, as recorded, of "Mean Mr. Mustard". [6] "Her Majesty" ends abruptly because its own final note was left at the beginning of "Polythene Pam". McCartney applauded Kurlander's "surprise effect" and the track became the unintended closer to the LP.
The song is in the key of C and the chorus ("Here comes the Sun King") involves a I (C)–Imaj 7 (Cmaj 7 chord)–v 7 (Gm 7 chord)–VI 7 (A 7 chord) progression against a C–B–B ♭ –A vocal harmony. [4] It also features 7th and 6th extensions which author Dominic Pedler described as "psychedelic". [5]
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