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Condolences (from Latin con (with) + dolore (sorrow)) are an expression of sympathy to someone who is experiencing pain arising from death, deep mental anguish, or misfortune. [ 2 ] When individuals condole, or offer their condolences to a particular situation or person, they are offering active conscious support of that person or activity.
The thought behind the composition in 'Bhakti mixed with Love', being a typical frame of devotion and dedication in the Bhakti movement.In the loved bhakti frame, the devotee falls in love with the almighty and to the devotee, all the attributes and actions of God appears sweet, as those appear to a lover.
Maithreem Bhajata मैत्रीं भजत is a benediction composed in Sanskrit by the 68th Jagadguru Shankaracharya of Moolamnaya Sarvajna Shri Kanchi Kamakoti Peetham Shri Chandrasekharendra Saraswati, renowned as the Paramacharya of Kanchi. [1] The song was set to a Ragamalika by composer Shri Vasant Desai.
Pages from the Charyapada. The original palm-leaf manuscript of the Charyapada, or Caryācaryāviniścaya, spanning 47 padas (verses) along with a Sanskrit commentary, was edited by Shastri and published from Bangiya Sahitya Parishad as a part of his Hajar Bacharer Purano Bangala Bhasay Bauddhagan O Doha (Buddhist Songs and Couplets) in 1916 under the name of Charyacharyavinishchayah.
Condolence Messages for Someone Who Lost a Parent They helped guide you while they were here, and you can count on them doing the same from up above. Sending you the strength and courage you need ...
3. “A great soul serves everyone all the time. A great soul never dies. It brings us together again and again.” — Maya Angelou 4. “Life is pleasant, death is peaceful.
The Pavamana Mantra (pavamāna meaning "being purified, strained", historically a name of Soma), also known as pavamāna abhyāroha (abhyāroha, lit. "ascending", being an Upanishadic technical term for "prayer" [1]) is an ancient Indian mantra introduced in the Bṛhadāraṇyaka Upaniṣad (1.3.28.) [2] [3] [4] The mantra was originally meant to be recited during the introductory praise of ...
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