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The ballet is an allegory based on the mythical story of Prometheus, who stole fire from Zeus in order to create mankind from clay.In the ballet, Prometheus finds mankind in a state of ignorance and decides to introduce the ideas of science and art to them, largely based on Beethoven's own support of the Enlightenment movement.
English: A chamber arrangement from the ballet The Creatures of Prometheus by Ludwig van Beethoven, performed in 1986.It's an example of the range and tone quality of the basset-horn, an instrument primarily used during the classical period; the piano and oboe are also used.
The theme was a favourite of Beethoven's. He had used it in the finale of the ballet music he composed for The Creatures of Prometheus (1801), as well as for the seventh of his 12 Contredanses, WoO 14 (1800-02), before being the subject of the variations of this work and of the later symphony. [1] It begins thus:
1960 Beethoven: Creatures of Prometheus - Excerpts; 1960 Beethoven: Piano Concerto No. 1 in C Major, Op. 15 Pianist: Sviatoslav Richter; 1960 Chopin: Piano Concerto No. 1 in C Minor, Op. 11 Pianist: Gary Graffman; 1960 Dvořák: Cello Concerto in B Minor, Op. 104 Cellist: Gregor Piatigorsky
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Gareth Jenkins said Beethoven was "doing for music what Napoleon was doing for society – turning tradition upside down" and embodied the "sense of human potential and freedom" of the French Revolution, in Beethoven's Cry of Freedom (2003). [43] BBC Music Magazine called it the greatest symphony, based on a survey of 151 conductors in 2016. [44]
Ludwig van Beethoven [n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
This discography is an incomplete, chronological list of recordings commercially released with the name British Symphony Orchestra on the label. The list also includes other known recordings which fall outside this strict definition: either because they have been included in published discographies of specific conductors (e.g. Walter, Weingartner) under this name; or have been re-released as ...