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Slide whistle Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe. A slide whistle (variously known as a swanee or swannee whistle, lotus flute, [1] piston flute, or jazz flute) is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it.
Erke, wind instrument of Argentina. A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by ...
The name can apply to variety of wind instruments, but in general sense it is a pipe with 4-8 finger holes. These instruments are 1.5–2.5 cm in diameter and can be anywhere from 20 to 40 cm in length. Stabules have either fipple or reed. Reed stabules were usually made from wood or reed with mouthpiece also made
The dentsivka (Ukrainian: Денцівка) is a woodwind musical instrument with a fipple (mouthpiece). [1] In traditional instruments, the tuning varies with the length of the tube. It is made in a variety of different sizes: the piccolo (tuned in F), prima (in C), alto (in G), tenor (in F), and bass (in C).
Drawing of the mouthpiece of an aulos. [5]There were several kinds of aulos, single or double.The most common variety was a reed instrument. [6] Archeological finds, surviving iconography and other evidence indicate that it was double-reeded, like the modern oboe, but with a larger mouthpiece, like the surviving Armenian duduk. [7]
It uses a slight rolling in of both lips and touching evenly all the way across. It also uses mouthpiece placement of about 40–50% top lip and 50–60% lower lip. The teeth will be about 1 ⁄ 4 to 1 ⁄ 2 inch (6 to 13 mm) apart and the teeth are parallel or the jaw slightly forward. There is relative mouthpiece pressure to the given air column.
Modern brass instruments however generally make use of the full length of the instrument for every pitch, and are therefore significantly affected by the effects of the mouthpiece and bell. These modify the instrument's resonances to closely resemble that of a conical pipe, even if the bore is mostly cylindrical.
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