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A person with synesthesia may associate certain letters and numbers with certain colors. Most synesthetes see characters just as others do (in whichever color actually displayed) but they may simultaneously perceive colors as associated with or evoked by each one.
Alternatively, synesthesia may arise through "disinhibited feedback" or a reduction in the amount of inhibition along feedback pathways (Grossenbacher & Lovelace 2001).It is well established that information not only travels from the primary sensory areas to association areas such as the parietal lobe or the limbic system, but also travels back in the opposite direction, from "higher order ...
Alexander Scriabin (6 January 1872 – 27 April 1915) probably was not a synesthete, but, rather, was highly influenced by the French and Russian salon fashions.Most noticeably, Scriabin seems to have been strongly influenced by the writings and talks of the Russian mystic Helena P. Blavatsky, founder of the Theosophical Society and author of such works as Isis Unveiled and The Secret Doctrine ...
The color associations, that is, which color is associated to which sound, tone, pitch, or timbre is highly idiosyncratic, but in most cases, consistent over time. [2] [4] Individuals with synesthesia have unique color pairings.
Whether this is an actually synesthesia, or simply reflects metaphorical speech, is debated. [5] [6] A similar example appears in Leibniz's New Essays on Human Understanding (written in 1704, but not published until 1764); indeed given that the New Essays is intended as a rebuttal to Locke, it may even have been the same individual.
How someone with grapheme–color synesthesia might perceive (not "see") certain letters and numbers. Grapheme–color synesthesia or colored grapheme synesthesia is a form of synesthesia in which an individual's perception of numerals and letters is associated with the experience of colors.
The phrase synesthesia in art has historically referred to a wide variety of artists' experiments that have explored the co-operation of the senses (e.g. seeing and hearing; the word synesthesia is from the Ancient Greek σύν (syn), "together," and αἴσθησις (aisthēsis), "sensation") in the genres of visual music, music visualization, audiovisual art, abstract film, and intermedia ...
Lexical–gustatory synesthesia is a rare form of synesthesia in which spoken and written language (as well as some colors and emotions) causes individuals to experience an automatic and highly consistent taste/smell. [1]