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Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
Christ the King is a title of Jesus in Christianity referring to the idea of the Kingdom of God where Christ is described as being seated at the right hand of God. [ 1 ] Many Christian denominations consider the kingly office of Christ to be one of the threefold offices : Christ is a prophet, priest, and king.
The Tree of Jesse is a depiction in art of the ancestors of Jesus Christ, shown in a branching tree which rises from Jesse of Bethlehem, the father of King David. It is the original use of the family tree as a schematic representation of a genealogy .
Late 13th-century Byzantine mosaics of the Hagia Sophia showing the image of Christ Pantocrator.. Much of the art surviving from Europe after the fall of the Western Roman Empire is Christian art, although this is in large part because the continuity of church ownership has preserved church art better than secular works.
Christ Giving the Keys to Saint Peter (Pittoni) Christ Giving the Keys to Saint Peter (Rubens) Christ Healing the Blind (Champaigne) Christ in Glory with Four Saints and a Donor; Christ in Glory with Saint Peter and Saint Paul; Christ in Glory with Saints and Odoardo Farnese; Christ in the Desert; Christ in the House of Martha and Mary (Velázquez)
The Feast of Christ the King is observed in the Methodist Churches, such as the United Methodist Church, as the last Sunday of the liturgical season of Kingdomtide. [24] [25] The season of Kingdtomtide itself starts on Trinity Sunday and culminates in the Feast of Christ the King. [25] Some Methodist parishes have been dedicated to Christ the ...
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...