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Pages in category "Ceramic glazes" The following 21 pages are in this category, out of 21 total. ... Salt glaze pottery; Sang de boeuf glaze; Shino (glaze) T. Tenmoku;
The pottery was situated at 173-174 Oldbury Road, Smethwick, then in Staffordshire (now part of Sandwell, in the West Midlands county). The pottery produced was notable for the innovative glazes used on a range of brightly coloured pots, vases, buttons, bowls, tea services and jewellery.
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
Ash glazes are ceramic glazes made from the ash of various kinds of wood or straw. They have historically been important in East Asia, especially Chinese pottery, Korean pottery, and Japanese pottery. [1] Many traditionalist East Asian potteries still use ash glazing, and it has seen a large revival in studio pottery in the West and East. Some ...
Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimize the adherence of pollutants. It is used for decoration, to ensure the item is impermeable to liquids and to minimize the adherence of pollutants.
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
A "hare's fur" Jian tea bowl in the Metropolitan Museum of Art was made during the Song dynasty (960–1279) and exhibits the typical pooling, or thickening, of the glaze near the bottom. [ 13 ] The "hare's fur" patterning in the glaze of this bowl resulted from the random effect of phase separation during early cooling in the kiln and is ...
One of the last glaze lines of Rookwood was "Ombroso," not used until after 1910. Ombroso, used on cut or incised pottery, is a brown or black matte glaze. In 1902, Rookwood began producing architectural pottery. Under the direction of William Watts Taylor, this division rapidly gained national and international acclaim. [13]
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