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The major pentatonic scale may be thought of as a gapped or incomplete major scale, using scale tones 1, 2, 3, 5, and 6 of the major scale. [1] One construction takes five consecutive pitches from the circle of fifths ; [ 8 ] starting on C, these are C, G, D, A, and E. Rearranging the pitches to fit into one octave creates the major pentatonic ...
Scale over 5 octaves Pentatonic Scale - C Major. Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially ...
Yo scale. The yo scale is a pentatonic scale used in much Japanese music including gagaku and shomyo. [1] It is similar to the Dorian, but does not contain minor notes. The yo scale is used specifically in folk songs and early popular songs and is contrasted with the in scale which does contain minor notes. [2]
Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth ...
Japanese mode: a pentatonic musical scale with the intervals of the scale a major second, minor second, major third, minor second, and major third. Akebono scale. Hirajōshi scale. In scale. Insen scale. Iwato scale. Ritsu and ryo scales. Yo scale.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
The verse features the ♭ VII or major subtonic chord that was a part of the opening chord as an ornament or embellishment below the tonic. Transposed down a perfect fifth, the modal frame of the song though pentatonic features a ladder of thirds axially centred on G with a ceiling note of B ♭ and floor note of E ♭ (the low C being a ...
Kodály collected, composed, and arranged a large number of works for pedagogical use [11]: 83 Along with Béla Bartók and other associates, Kodály collected and published six volumes of Hungarian folk music, including over one thousand children’s songs. Much of this literature was used in Kodály method song books and textbooks.