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  2. Non-lexical vocables in music - Wikipedia

    en.wikipedia.org/wiki/Non-lexical_vocables_in_music

    Solfège, or solfa, is a technique for teaching sight-singing, in which each note is sung to a special syllable (do, re, mi, fa, sol, la, ti).; Canntaireachd is an ancient Scottish practice of noting music with a combination of definite syllables for ease of recollection and transmission.

  3. Pseudoword - Wikipedia

    en.wikipedia.org/wiki/Pseudoword

    A logatome or nonsense syllable is a short pseudoword consisting most of the time of just one syllable which has no meaning of its own. Examples of English logatomes are the nonsense words snarp or bluck. Like other pseudowords, logatomes obey all the phonotactic rules of a specific language. Logatomes are used in particular in acoustic ...

  4. Beat music - Wikipedia

    en.wikipedia.org/wiki/Beat_music

    The most common instrumentation of beat groups featured lead, rhythm and bass guitars plus drums, as popularised by the Beatles, the Searchers, and others. [1] Beat groups—even those with a separate lead singer—often sang both verses and choruses in close harmony, resembling doo wop, with nonsense syllables in the backing vocals. [10]

  5. Doo-wop - Wikipedia

    en.wikipedia.org/wiki/Doo-wop

    it includes nonsense syllables; there is a simple beat and low key instrumentals; and; it has simple words and music. [16] While these features provide a helpful guide, they need not all be present in a given song for aficionados to consider it doo-wop, and the list does not include the aforementioned typical doo-wop chord progressions.

  6. Lyric setting - Wikipedia

    en.wikipedia.org/wiki/Lyric_setting

    A stressed syllable is one that is emphasized, or has prominence. In contrast to an unstressed syllable, a stressed syllable has a higher pitch. In musical terms, this pitch is commonly a perfect fourth, perfect fifth, or even minor third, above the voice’s tonic. A stressed syllable tends to have a longer duration and louder volume.

  7. What You're Doing - Wikipedia

    en.wikipedia.org/wiki/What_You're_Doing

    "What You're Doing" was written by McCartney in Atlantic City on 30 August 1964, shortly following the end of the Beatles' 1964 world tour. [2] Throughout the song, McCartney adds to the rhyme scheme by combining a single, two-syllable word with two one-syllable words (i.e. "Look what you're doing, I'm feeling blue and lonely ...

  8. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music.

  9. Tomorrow Never Knows - Wikipedia

    en.wikipedia.org/wiki/Tomorrow_Never_Knows

    "Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. [10] It was released in August 1966 as the final track on their album Revolver, although it was the first song recorded for the LP.