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Behold The Lamb (David Phelps, Dottie Rambo and The Christ Church Choir) Being Me; Between Here And Sunset; Big House On The Hill; Big, Big Man; Billy; Brand New Breed Of Believers, A; Brand New Feeling, A; Breaking Bread; Bring All Your Needs To The Altar (Jimmy Swaggart) Build My Mansion (Next Door to Jesus) By And By The Night Will Vanish
Prepare the table, watch in the watchtower, eat, drink: arise ye princes, and prepare the shield./For thus hath the Lord said unto me, Go set a watchman, let him declare what he seeth./And he saw a chariot with a couple of horsemen, a chariot of asses, and a chariot of camels; and he hearkened diligently with much heed./...And, behold, here ...
Dottie Rambo (March 2, 1934 – May 11, 2008) was an American gospel singer and songwriter. She was a Grammy winning solo artist and multiple Dove award-winning artist.Along with ex-husband Buck and daughter Reba, she formed the award-winning southern Gospel group, The Rambos.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Jonathan Andre, reviewing for 365 Days of Inspiring Media review, gave a positive remarks about the song, saying ""Behold" is a great song full of Biblical truth and lyrical richness," and further added that it "continues to remind us of how much of a powerful singer-songwriter Phil himself is, as he continues to assert himself to become a great worship artist alternative."
For instance, if a guitar is tuned to regular concert pitch, with the open strings being E, A, D, G, B, E (from low to high), open chords must be based on one or more of these notes. To play an F ♯ chord the guitarist may barre strings so that the chord root is F ♯ .
“Keep on Marching Home” was set to the minor chords popular in the folk music that she had begun listening to. [3] Upon returning home, she played it for The Rambos’ producer, Bob MacKenzie, who was creative director of John T. Benson’s Heart Warming Records , the label The Rambos recorded for.
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).