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" Abendlied unterm gestirntem Himmel" (Evening song under the starry heaven), WoO 150, is a song for high voice and piano by Ludwig van Beethoven composed in 1820. The work is a setting of a poem believed to be by Otto Heinrich von Loeben , who wrote it under the pseudonym H. Goeble.
Then shall the eyes of the blind be opened (secco recitative for soprano or alto) He shall feed his flock like a shepherd (alto or soprano) His yoke is easy (duet chorus) Part II. Scene 1: Christ's Passion Behold the Lamb of God (chorus) He was despised and rejected of men (alto) Surely he hath borne our griefs and carried our sorrows (chorus)
Behold, and see if there be any sorrow The tenor arioso "Behold, and see if there be any sorrow" ( Lamentations 1:12 ) is based on text from the Book of Lamentations which is frequently associated with Good Friday , both Jesus and his mother Mary , although it originally lamented the destruction of Jerusalem .
The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
The Lord whom ye seek shall suddenly come to His temple: Acc. B: Haggai 2:6–7 Malachi 3:1: Haggai, splendor of the temple Malachi, the coming messenger: 6: But who may abide the day of His coming for he is like a refiner's fire: Air A: Malachi 3:2: 7: And He shall purify the sons of Levi: chorus: Malachi 3:3: Scene 3: 8: Behold, a virgin ...
Behold, I tell you a mystery "Behold, I tell you a mystery" is rendered as a bass accompagnato in D major . Towards the end, motifs like trumpet signals appear in the strings even before the last words "at the last trumpet".
[5] [6] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
The first is the harmonic motive of two chords (usually one major and one minor) whose roots are a third apart. This is the first thing that occurs in the symphony; the brass fanfare is a B flat minor chord, followed by the choir singing the same chord, singing Behold, the sea .
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