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The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch. Each change or addition to the plate that can be seen in a print is referred to as a 'state' of the print.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The drawing is related to the etching B338 : St. Paul in Meditation: c. 1629?? Musée du Louvre, Paris: Indented for transfer to the etching B149 : Diana at the Bath: c. 1629: Black chalk with some light brown wash: 18.1 x 16.4 cm: British Museum, London: Indented for transfer to the etching B201 : Seated Old Man: 1630: Red chalk on laid paper ...
The Goldweigher's Field is a 1651 etching by Rembrandt now held by many museums, including the British Museum, the Rijksmuseum, The Morgan Library & Museum, and the Metropolitan Museum of Art. It is based on a landscape drawing in the collection of the Museum Boijmans van Beuningen.
The Three Trees is a 1643 print in etching and drypoint by Rembrandt, his largest landscape print.It was assigned the number B.212 by Adam von Bartsch and impressions of the work are in the Rijksmuseum, the Musée des beaux-arts du Canada and the Bibliothèque nationale de France.
Rembrandt's Hundred Guilder print, as it has become known, has been famous since his own day for the extraordinarily high price it fetched. A letter to Carolus van den Bosch, the Bishop of Bruges, in 1654, only a few years after it was completed, claimed that "in Holland [it] has been sold various times for 100 guilders and more", saying it was "very fine and lovely, but ought to cost 30 ...
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
The Virgin and Child with a Cat is an etching made in 1654 by the Dutch artist Rembrandt van Rijn (1606–1669). The Victoria and Albert Museum has in its collection one of the earliest impressions of this etching and the actual copper plate from which the image is taken. The original copper plate, in the Victoria and Albert Museum
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