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This article lists notable musicians who have played the clarinet This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Stoltzman is perhaps the best-known clarinetist who primarily plays classical music. He has played with over 100 orchestras, as well as with many chamber groups and in many solo recitals. One of them, "Maid with Flaxen Hair", was used by Microsoft as "sample music" on Windows 7 to demonstrate the system's Windows Media Player in 2009. Stoltzman ...
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The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
He has performed the Brahms Clarinet Trio with Daniel Barenboim and cellist Yo-Yo Ma, and has appeared at the Ravinia Festival with its music director, Christoph Eschenbach. Other appearances have been with The Chamber Music Society of Lincoln Center and the Smithsonian Chamber Players. + He is also a founding member of the Chicago Chamber ...
The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. Some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] while some regarded them as soprano clarinets.
Emma Johnson MBE (born 20 May 1966) [1] is a British clarinettist, who was appointed MBE for services to music in 1996.. In 1984, she won the BBC Young Musician of the Year competition, playing one of Crusell's clarinet concertos in the televised final, [2] and won the Bronze Award representing Britain in the subsequent European Young Musician Competition.
The genre of music was commonly played at military recruitings. The second movement is much more introspective and has a continuously shifting mood without a defined theme. The third is a frenzied dance that begins with a scordatura (G ♯ -D-A-E ♭ ) violin section, after which the clarinet introduces the main theme.