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Song One is a 2014 American romantic drama film written and directed by Kate Barker-Froyland in her directorial debut. The film stars Anne Hathaway, Johnny Flynn, Ben Rosenfield, and Mary Steenburgen. In the film, Franny Ellis returns home to New York City after her brother Henry enters a coma. She meets Henry's favorite musician, James ...
Sing is a 2016 American animated jukebox musical comedy film [6] produced by Universal Pictures and Illumination Entertainment, and distributed by Universal.It was written and directed by Garth Jennings, co-directed by Christophe Lourdelet, and produced by Chris Meledandri and Janet Healy.
To represent the lead character, Starr, O'Halloran used piano, 40-piece orchestra (conducted by Nicholas Jacobson-Larson) and interspersed electronic elements for the score; he added "The film is following her journey so the idea is the score follows her conflict and the internal part of her, and the piano is definitely one part of that.
The band was hired to write an entire soundtrack for the film, but according to John Flansburgh, the production team "wanted the music to be more creepy", and only one song was ultimately used. [19] Coulais's score was performed by the Budapest Symphony Orchestra and features choral pieces sung by the Children's Choir of Nice in a nonsense ...
The list does not include songs that are related to a film as part of its soundtrack, original or not. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Aside from her work as a vocalist and record artist, Carey was becoming known as a songwriter, having penned and produced all of her own material throughout her career.. During the production of Music Box, she was approached by Epic Records to write and record a song alongside Afanasieff, and release it on the soundtrack to the 1992 film Hero, featuring Dustin Hoffman and Geena Davis
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Walden Green of The Fader saw the song as a "sly commentary on pop stars 'created' for the profit of record labels". [18] Jon Campbell of WNYC and Gothamist noted the melodic similarity of the verse to the chorus of Stephen Sondheim's Send in the Clowns.