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The song's lyrics refer to a "picture print by Currier and Ives," whose lithographs were popular in the 19th century. Leroy Anderson's own recording of "Sleigh Ride" was made on September 11, 1950, [8] and was released on his album "Leroy Anderson Conducts His Own Compositions" [9] on the Decca label in 1951.
The song was in the then-popular style or genre of "sleighing songs". Pierpont's lyrics are strikingly similar to lines from many other popular sleigh-riding songs of the time; researcher Kyna Hamill argued that this, along with his constant need for money, led him to compose and release the song solely as a financial enterprise: "Everything ...
"Tell 'Em" is a song composed of an intro, which has been described as a mixture of "piledriving beats" and a "towering riff trigger", [7] "bazooka beats and syncopated snaps" incorporated with "heavy metal guitar riffs", [8] and a chorus featuring Krauss' vocals over "machine-gun drums". [9] The song also incorporates various snaps and claps. [5]
In August 1857, his song "The One Horse Open Sleigh" was published by Oliver Ditson and Company of 277 Washington Street in Boston dedicated to John P. Ordway. The song was copyrighted on September 16, 1857. It is an unsettled question where and when Pierpont originally composed the song that would become known as "Jingle Bells". [7]
The song, released in 1991, asks Santa to please bring a space ship while riding a "bison sleigh." If you think about it, honestly, bison are just as unlikely as flying reindeer. So it all makes ...
The name of the title track is a reference to a Nantucket sleighride, the dragging of a whaleboat by a harpooned whale. Owen Coffin, to whom the song is dedicated, was a young seaman on the Nantucket whaler Essex, which was rammed and sunk by a sperm whale in 1820.
Concerned with what might happen if Santa was forced to hitchhike instead of taking his sleigh, the song definitely taps into the light side of the holiday season. 18. "A Christmas Carol" by Tom ...
The song has received positive reviews from critics. Billboard described the song as "a bizarrely catchy track". [1] Greg Kot of the Chicago Tribune positively compared the song to songs from the band's debut album Treats, stating that "the production is more refined" and has "a more spacious arrangement". [7]