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2. Comparison of audio coding formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio_coding...

   For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...

3. List of interface bit rates - Wikipedia

   en.wikipedia.org/wiki/List_of_interface_bit_rates

   Device interfaces where one bus transfers data via another will be limited to the throughput of the slowest interface, at best. For instance, SATA revision 3.0 (6 Gbit/s) controllers on one PCI Express 2.0 (5 Gbit/s) channel will be limited to the 5 Gbit/s rate and have to employ more channels to get around this problem. Early implementations ...

4. Lyra (codec) - Wikipedia

   en.wikipedia.org/wiki/Lyra_(codec)

   The Lyra codec is designed to transmit speech in real-time when bandwidth is severely restricted, such as over slow or unreliable network connections. [1] It runs at fixed bitrates of 3.2, 6, and 9 kbit/s and it is intended to provide better quality than codecs that use traditional waveform-based algorithms at similar bitrates.

5. Average bitrate - Wikipedia

   en.wikipedia.org/wiki/Average_bitrate

   Average bitrate can also refer to a form of variable bitrate (VBR) encoding in which the encoder will try to reach a target average bitrate or file size while allowing the bitrate to vary between different parts of the audio or video. As it is a form of variable bitrate, this allows more complex portions of the material to use more bits and ...

6. Adaptive Multi-Rate audio codec - Wikipedia

   en.wikipedia.org/wiki/Adaptive_Multi-Rate_audio...

   The Adaptive Multi-Rate (AMR, AMR-NB or GSM-AMR) audio codec is an audio compression format optimized for speech coding. AMR is a multi-rate narrowband speech codec that encodes narrowband (200–3400 Hz) signals at variable bit rates ranging from 4.75 to 12.2 kbit/s with toll quality [ 3 ] speech starting at 7.4 kbit/s.

7. Variable bitrate - Wikipedia

   en.wikipedia.org/wiki/Variable_bitrate

   Single-pass VBR encoding is usually controlled by the fixed quality setting or by the bitrate range (minimum and maximum allowed bitrate) or by the average bitrate setting. Multi-pass encoding is used when the encoding quality is most important. Multi-pass encoding cannot be used in real-time encoding, live broadcast or live streaming. Multi ...

8. Opus (audio format) - Wikipedia

   en.wikipedia.org/wiki/Opus_(audio_format)

   Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

9. Comparison of remote music performance software - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_remote_music...

   While standard web conferencing software is designed to facilitate remote audio and video communication, it has too much latency for live musical performance. [ 1 ] [ 2 ] Connection-oriented Internet protocols subject audio signals to delays and other interference which presents a problem for keeping latency low enough for musicians to play ...