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The Structure of Literature is a 1954 book of literary criticism by Paul Goodman, the published version of his doctoral dissertation in the humanities.The book proposes a mode of formal literary analysis that Goodman calls "inductive formal analysis": Goodman defines a formal structure within an isolated literary work, finds how parts of the work interact with each other to form a whole, and ...
[11] [12] [13] (Here the "gun" refers to a monologue that Chekhov deemed superfluous and unrelated to the rest of the play.) "Remove everything that has no relevance to the story. If you say in the first act that there is a rifle hanging on the wall, in the second or third act it absolutely must go off.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
The Taming of the Shrew (c. 1590) by Shakespeare: Wentersdorf suggested that the violation is caused by a scene involving Christopher Sly being dislocated when the First Folio manuscript was printed, such as one that existed in the quarto version. [12] Hamlet (c. 1600) by Shakespeare: Act I Scene 4 into Scene 5. Reynolds suggested this is not a ...
Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. [1] A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2]
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An example is the Arya metre, in which each verse has four lines of 12, 18, 12, and 15 morae respectively. In each 4-mora foot there can be two long syllables, four short syllables, or one long and two short in any order. Standard traditional works on metre are Pingala's Chandaḥśāstra and Kedāra's Vṛttaratnākara. The most exhaustive ...
the law of two to a scene Only two characters act at a time. 3 sagnet skematiserer sit stof schematic storytelling Dialogue is, for example, repeated verbatim as far as possible. 4 sagnets plastik the use of tableaux scenes: Images are clear; outer behaviour is consistent with inner motivation. 5 sagnets logik logic