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The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch. Each change or addition to the plate that can be seen in a print is referred to as a 'state' of the print.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The drawing is related to the etching B340 : Four Studies of Saskia: c. 1635-1636: Pen and brown ink, locally gray wash, corrected with white bodycolour: 20 x 15 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the etchings B365, B367, B368 : Self-portrait: c. 1636?? Kupferstichkabinett Berlin: The drawing is related to ...
Rembrandt's Hundred Guilder print, as it has become known, has been famous since his own day for the extraordinarily high price it fetched. A letter to Carolus van den Bosch, the Bishop of Bruges, in 1654, only a few years after it was completed, claimed that "in Holland [it] has been sold various times for 100 guilders and more", saying it was "very fine and lovely, but ought to cost 30 ...
A new exhibition at the Worcester Art Museum is an expansive showcase of Rembrandt’s formidable printmaking skills. Titled “Rembrandt: Etchings from the Museum Boijmans Van Beuningen,” the ...
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
For example, unlike Dürer, for whom relatively few different states survive, Rembrandt prints have often survived in multiple states (up to eleven). It is clear that many of the earlier states are working proofs, made to confirm how the printed image was developing, but it is impossible to draw a confident line between these and other states ...
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
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