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In 2000, Chihuly's commission from the Victoria and Albert Museum for a 30-foot-high (9.1 m), blown-glass chandelier dominates the museum's main entrance. Chihuly's The Sun was on temporary display until January 2006 at Kew Gardens, London, England. The piece is 13 feet (4 m) high.
Blaschka model of jellyfish. Unlike the eventual Glass Flower, a private commission to a single University's museum, the Blaschka glass sea creatures were a global enterprise; and not just for museums and other such educational institutes, for "as popular interest in the history and sciences of the natural world burgeoned during the latter half ...
The outer layer (overlay) is created first, then the inner layer is blown inside the first, then the whole piece is heated so the layers fuse together. Crackled glass was glass filled with webs of small cracks and fissures, refracting light and causing the glass to have a sparkling effect. [1] Émaux-Bijoux was a technique invented by Emile ...
Dale Chihuly (/ tʃ ɪ ˈ h uː l i / chih-HOO-lee; born September 20, 1941) is an American glass artist and entrepreneur. He is well known in the field of blown glass, "moving it into the realm of large-scale sculpture". [2]
Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking , as the modern practice no longer uses oil-fueled lamps .
Feathering – creating feather-like patterns on a glass by dragging a metal tool across the surface of a newly applied wrap. Frit – crushed glass often melted onto other glass to produce patterns and color; Incalmo – the grafting or joining together, while still hot, of two separately blown glass [bubbles] to produce a single [bubble]. [4]
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