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Esther Phillips, then billed as Little Esther, was the featured vocalist on three number ones for the band led by Johnny Otis.. In 1950, Billboard magazine published two charts covering the top-performing songs in the United States in rhythm and blues (R&B) and related African-American-oriented music genres: Best Selling Retail Rhythm & Blues Records and Most Played Juke Box Rhythm & Blues ...
List of popular music genres; ... This is a partial list of notable active and inactive bands and musicians of the 1950s. ... Essential American Recordings Survey
The Capris (Philadelphia group) Cash Money Millionaires; Cats and the Fiddle; The Chantels; The Charts (American group) The Chi-Lites; Chic (band) Children of the Corn (group) The Chords (American band) The Clark Sisters; Classic Example; The Cleftones; The Coasters; Coming of Age (group) Commissioned (gospel group) Commodores; The Cool Kids ...
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
Soul artists of the 1950s include Sam Cooke and James Brown. [8] Jazz music was revolutionized during the 1950s with the rise of bebop, hard bop, modal jazz, and cool jazz. Notable jazz artists of the time include Miles Davis, Dave Brubeck, Thelonious Monk, Bill Evans, John Coltrane, and Chet Baker. [9]
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
Pages in category "Musical groups established in the 1950s" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes .
Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.